Faces of masking – Exploring mindscapes of masking during the pandemic in an art/science cooperation
‚Faces of Masking‘ is an international cooperation of social scientists that analyses practices and narratives of masking during the Covid-19-pandemic and explores alternative formats of presenting scientific results by including visual arts.
Although most people seem to agree with the idea that wearing masks would protect others and keep infection rates low, there is also resistance. ‘Community masks’ have become much more than mere objects of medical purpose. Especially the protests in several places bring to light how the mask has not only various meanings within the pandemic but also how they have changed over time. At the beginning, when masks were scarce worldwide, their wearers considered as selfish hoarders and their effectiveness questioned, while presently, when they are mandatory (Germany) or recommended (Finland), people without masks are considered as lacking solidarity. While in Germany we can see resistance, in Finland there is an expectation of voluntariness. Thus, in addition to discussing the protective effects, it is also important to discuss their socio-material dynamics.
„Before drawing and writing were separated they were conjoined.“
On the 23rd of August we are hosting the interdisciplinary panel „Illustrated Sciences“ at the DGS/ÖGS Conference (Vienna/Online). Presentations will be held in English and German and we are happy to host colleagues from Sociology as well as Culture Studies and Medical History:
Reflections on working with an illustrator in a qualitative analysis of facemasks
Heta Tarkkala, University of Helsinki, Finland
Doing digital crowd research: the mask as a symbol of Corona
Christine Domke/Matthias Klemm, Hochschule Fulda, Germany
Visual arguments – understanding representations of epidemic facts from a knowledge-culture perspective
Christopher Schlembach, Universität Wien, Austria
Zwischen Evidenz und Täuschung. Potential und Problematik von Wissenschaftsillustrationen am Beispiel der Darstellung des Coronavirus von David Goodsell
Kathrin Mira Amelung, Bauhaus-Universität Weimar, Germany
Wellen und Kurven, Kugeln und Stacheln: Visuelle Repräsentationen in der Geschichte der Seuchen
Henrik Eßler, Universitätsklinikum Hamburg-Eppendorf, Germany
Abstracts of the presentations can be found online in the conference program.
Illustration: Susi Vetter
Funding period: 11/2020-07/2021
Böhrer, A./Döbler M.-K./Tarkkala H. (2021): Faces of masking – an experimental take on metaphorical story telling in the pandemic process, Annual Conference of the Westermarck Society (11.-12.3.).
Böhrer, A./Döbler, M.-K.: Interactive talk at the International Musem Day in cooperation with the Medical History Musem of Ingolstadt, 17.05.2021.
Tarkkala, H. (2021): Visual arts in the presentation of research results in qualitative social science – reflections on collaboration with an illustrator., STS Helsinki Seminar Series, May 27th: 14:15–15:45 (Finnish time).
Böhrer, A./Döbler, M.-K. (2021): Adhoc-Group ‚Illustrated Science(s) – Exploring the visual landscapes of Covid-19 and future perspectives of art/science cooperation‘, Congress of DGS/ÖGS, 23.-25.08., Vienna.
Tarkkala, H./Döbler, M.-K./Böhrer, A. (2021): „Qualitative Social Science Illustrated: Reflections on art/science cooperation in sociology“ at ESA 2021, Barcelona/Online.
Böhrer, A./Döbler, M.-K./Tarkkala, H (2021).: „Thinking in pictures: Methodological reflections on a dialogue of sociology and visual arts“, Meeting of the Society for the Social Studies of Science organized from Toronto/Online (4S), October 6-9.
In this section, we are going to collect sketches and ideas that came and come up in the process of analysing different ‚mask stories‘. What we call ‘stories’ is a collection of repetitive narratives and comparable story lines based on a sample of research material from 2020 (consisting of newspaper articles, tweets and posts in social media, pictures, flyers, recording/documentation of stories told to us in everyday life as well as ethnographic field notes and short memos). Slowly these sketches are going to develop into illustrations. As this will not be part of the final article we would like to document and share their development here.
An important part of our reflection upon masking is that masks and masking practices are variable and dynamic. There isn´t such thing as ‘the mask’, as there are various shapes, colors, materials, qualities, and masking practices at the same time and over time in the ongoing process of the pandemic. They are “more than one and less than many” (Annemarie Mol).
Susi suggested that the article would need a visual header and made a first quick collection of practices that she observed on everyday life and some that she got from our collection of ‘mask stories’.
Variations of Masking (a visual headline, Version 1)
This sketch led to a discussion about more possible practices that we can´t see on this picture yet and about the display of people in illustrations (skin color, gender, age etc.). The image highlights a certain aspect for thinking about masks: We are not thinking about masks but about hybrids of masks and humans.
The Volvo-Incident (Version 1)
In 2020 we started to create an archive of mask stories and selected three of them for our article. What we call ‘The Volvo incident’ took place in Finland last summer when several newspapers reported a situation that involved a pick-up station, free masks and a new Volvo. The sketch made as think what is actually at stake in this situation and what is the role of the car here. Fun fact: all three German project members had to google what a Volvo actually looks like.
The Volvo-Indicent (Version 2)
After the first discussion Susi came up with a second sketch.
Protest, Children, Breathing (Version 1)
The second story is based on a flyer that ended up in Marie-Kristin´s mailbox in autumn 2020 when after the summer break and some months of home-schooling schools were supposed to reopen. Wearing a mask was obligatory, first for two weeks/for older students. In different places, this obligation has been extended both timewise and concerning younger school kids. The reactions to this were mediocre, some kids annoyed, some parents concerned, the effectiveness of the masks was challenged. The protection of children became an important argument for members of the so called Querdenker movement and other people who were sceptical of the political measures during the pandemic.
Our third story is about travelers, chocolate Easter bunnies and Santa Clauses who have something in common: They got facemasks put on them. The fact that these characters (the figure on a Finnish bread package and the German sweets for Christmas and Easter) were masked, not only caused storms of enthusiasm, but also criticism. What could be behind this, is going to be investigated in our article and Susi already came up with some sketches. Can you imagine what it’s all about?
After discussing the Volvo Story again, Susi came up with sketches that are more fokussed on the social figure of ‚the hoarder‘ that we found in the story:
In our discussions we started to wonder if it is possible not to take a normative position when we describe and depict the stories we found. When discussing the couloured illustrations (that you can not see here) we continued this discussion about ethics of representation. Questions about skin tones, gender etc. were raised. Is it important that this or that person looks male of female? Do blue and green people look like some sort of aliens?
Otherwise, so far we can say that when all these discussions and sketches finally start to turn into colourful illustrations it is kinda magic. We keep you posted!
Crowd research on masking during the pandemic (University of applied Sciences Fulda):
Collection of ‚Everyday Experiences of the Covid-19 Pandemic‘ (University of Helsinki):
Mask collection of the Medical History Musem in Ingolstadt:
Exhibition about Masking:
Corona Archive Hamburg: